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Russian Art

Russian Art

Explore Russian Artists

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Vasily Vereshchagin, The Apotheosis of War (1871)
Artists

Vasily Vereshchagin: The War Painter Who Showed Battles Without Glory

October 13, 2026 Russian Arts
Ivan Shishkin and Konstantin Savitsky, Morning in a Pine Forest (1889)
Artists

Ivan Shishkin: Forest Painter Behind Russia’s Most Copied Canvas

October 10, 2026October 11, 2026 Russian Arts
Zinaida Serebriakova: Self-Portraits as Quiet Radicalism
Artists

Zinaida Serebriakova: Self-Portraits as Quiet Radicalism

September 8, 2026September 21, 2026 Russian Arts
Valentin Serov, Portrait of Isaac Levitan (1893)
Artists

Valentin Serov: The Portraitist Who Painted Imperial Russia’s Last Generation

August 31, 2026September 1, 2026 Russian Arts
Isaac Levitan, Golden Autumn (Slobodka) (1889)
Artists

Isaac Levitan: The Mood Landscapes That Defined Russia’s Countryside

August 29, 2026August 30, 2026 Russian Arts
Mikhail Vrubel, The Demon Seated (1890)
Artists

Mikhail Vrubel: The Demon Paintings That Consumed Their Creator

August 24, 2026August 25, 2026 Russian Arts
Vasily Vereshchagin, The Apotheosis of War (1871)
Artists

Vasily Vereshchagin: The War Painter Who Showed Battles Without Glory

Vasily Vereshchagin painted war as skulls, frozen sentries and unburied dead. Follow the Russian war artist from Turkestan to Port Arthur.

October 13, 2026
Ivan Shishkin and Konstantin Savitsky, Morning in a Pine Forest (1889)
Artists

Ivan Shishkin: Forest Painter Behind Russia’s Most Copied Canvas

Ivan Shishkin painted Russia’s pine forests with a botanist’s eye. Learn how Morning in a Pine Forest was made, who painted its bears, and why it endures.

October 10, 2026October 11, 2026
Wassily Kandinsky, Composition VII (1913)
Exhibitions & Events

Kandinsky, Klee, Malevich at Palazzo Magnani, Reggio Emilia

Kandinsky, Klee and Malevich meet Russian icons and documents at Palazzo Magnani in Reggio Emilia, read through Pavel Florensky’s reverse perspective.

October 9, 2026October 10, 2026
Isaac Levitan, Alps / Snow (1897)
Exhibitions & Events

Fragile Art: Pastel at the Tretyakov Gallery, Moscow

Around 200 pastels from the 18th to early 20th centuries, from Erikssen’s portraits to Levitan, Serov and Vrubel, on view at the Tretyakov Gallery in Moscow.

October 8, 2026October 9, 2026
Karl Bryullov, The Last Day of Pompeii (1833)
Exhibitions & Events

Russian Museum in St Petersburg: The Collection Tourists Miss

The Russian Museum in St Petersburg holds the world’s largest collection of Russian fine art, from icons to Malevich. See what tourists miss and why it matters.

October 7, 2026October 8, 2026
Monet to Kandinsky: Nature & Modernity at Palazzo dei Diamanti
Exhibitions & Events

Monet to Kandinsky: Nature & Modernity at Palazzo dei Diamanti

Palazzo dei Diamanti traces European painting from Barbizon landscapes through Impressionism to abstraction, with works by Monet, Van Gogh, Kandinsky and Mondrian, 19 Sep 2026 to 10 Jan 2027.

October 6, 2026October 8, 2026
Ilya Repin, Portrait of Pavel Mikhailovich Tretyakov (1883)
Exhibitions & Events

The Tretyakov Gallery: A Merchant’s Gift to Russia

How a Moscow textile merchant’s private collection became the State Tretyakov Gallery, home to Repin, Kramskoi, Surikov, and Levitan. History, works, legacy.

October 4, 2026October 5, 2026
Kandinsky at Miyagi Museum of Art: Composed Vibration Exhibition
Exhibitions & Events

Kandinsky at Miyagi Museum of Art: Composed Vibration Exhibition

Composed Vibration gathers Wassily Kandinsky paintings from Japanese collections, 12 September to 28 October 2026. See what’s on view and why this abstraction pioneer still matters.

October 2, 2026October 6, 2026
Kandinsky at Palazzo Bonaparte: What to See
Exhibitions & Events

Kandinsky at Palazzo Bonaparte: Retrospective in Rome

Kandinsky’s Rome retrospective at Palazzo Bonaparte gathers 70+ works from the Centre Pompidou, tracing his path to abstraction. 15 Sept 2026 to 14 Feb 2027.

October 1, 2026October 6, 2026
Kazimir Malevich, Black Square (1915)
Exhibitions & Events

0,10 Exhibition: How Malevich Hung Black Square Like an Icon

The 0,10 Exhibition of 1915 in Petrograd launched Suprematism when Malevich hung Black Square in a room’s icon corner. Here is what really happened.

September 30, 2026October 1, 2026

Posts pagination

1 2 … 6 Next
  • Vasily Vereshchagin: The War Painter Who Showed Battles Without Glory
  • Ivan Shishkin: Forest Painter Behind Russia’s Most Copied Canvas
  • Kandinsky, Klee, Malevich at Palazzo Magnani, Reggio Emilia
  • Fragile Art: Pastel at the Tretyakov Gallery, Moscow
  • Russian Museum in St Petersburg: The Collection Tourists Miss
  • Art History
  • Art Periods & Movements
  • Artists
  • Cultural Impact
  • Exhibitions & Events

Table of ContentsToggle Table of ContentToggle

      • Quick Answer
  • What Was the 0,10 Exhibition?
  • Petrograd in Wartime: The World Behind the Show
  • From Cubo-Futurism to “Zero-Ten”: Why the Name
    • Decoding the Exhibition’s Name
  • Dobychina’s Gallery on Marsovo Pole
  • Malevich’s Corner: Hanging a Painting Like an Icon
      • Look Closer: What’s hiding under Black Square
  • The Fourteen Artists of 0,10
  • Key Characteristics of Suprematism
    • What makes a painting Suprematist rather than simply abstract?
  • Olga Rozanova and the Pared-Down Palette
  • Ivan Puni and the Non-Objective Camp
  • Ivan Kliun’s Suprematist Experiments
  • The Rift: Tatlin’s Counter-Reliefs vs. Malevich’s Squares
  • Reception: Critics, Cartoons and Confusion
  • Notable Works Beyond Black Square
  • Historical Impact on the Russian Avant-Garde
  • Legacy: From Suprematism to Constructivism and Beyond
  • Common Misconceptions About 0,10
    • Was Black Square painted specifically for this exhibition?
  • Related Movements and Connections
  • Essential Points
  • Frequently Asked Questions
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