Kandinsky’s Rome retrospective at Palazzo Bonaparte gathers 70+ works from the Centre Pompidou, tracing his path to abstraction. 15 Sept 2026 to 14 Feb 2027.
The 0,10 Exhibition of 1915 in Petrograd launched Suprematism when Malevich hung Black Square in a room’s icon corner. Here is what really happened.
Discover how Palekh miniatures emerged when Russian icon painters, stripped of church commissions after 1917, turned to lacquered papier-mache boxes and folk tales.
Matryoshka dolls weren’t ancient folk art. They were designed in the 1890s by painter Sergey Malyutin and turned by craftsman Vasily Zvyozdochkin at Abramtsevo.
Soviet propaganda posters fused Constructivist design with state power, from ROSTA Windows to El Lissitzky, shaping visuals still used in graphic design today.
Lubok prints were Russia’s first mass media: cheap folk woodcuts sold by peddlers from the 1600s that shaped satire, storytelling, and the avant garde.
Trace the Russian icon from Byzantium’s arrival in 988 through Rublev, Dionisius, and Ushakov to the Old Believer schism of the 1650s and 1660s.
Russian Futurism explained: origins in the Hylaea group, Cubo-Futurism, zaum poetry, and key figures like Malevich, Goncharova, and Mayakovsky.
How the Jack of Diamonds (Bubnovy Valet) society broke from academic painting in 1910s Moscow, with Larionov, Goncharova, Mashkov, and Konchalovsky.
Zinaida Serebriakova turned self-portraits and peasant scenes into acts of quiet defiance, then kept painting through exile, revolution, and decades in Paris.