Erarta Museum in St Petersburg hosts couturier Ianis Chamalidy’s first major solo show, built around ‘non finito’ and its unfinished, in-progress aesthetic in fashion.
Discover how Palekh miniatures emerged when Russian icon painters, stripped of church commissions after 1917, turned to lacquered papier-mache boxes and folk tales.
Matryoshka dolls weren’t ancient folk art. They were designed in the 1890s by painter Sergey Malyutin and turned by craftsman Vasily Zvyozdochkin at Abramtsevo.
Soviet propaganda posters fused Constructivist design with state power, from ROSTA Windows to El Lissitzky, shaping visuals still used in graphic design today.
Lubok prints were Russia’s first mass media: cheap folk woodcuts sold by peddlers from the 1600s that shaped satire, storytelling, and the avant garde.
Trace the Russian icon from Byzantium’s arrival in 988 through Rublev, Dionisius, and Ushakov to the Old Believer schism of the 1650s and 1660s.
Russian Futurism explained: origins in the Hylaea group, Cubo-Futurism, zaum poetry, and key figures like Malevich, Goncharova, and Mayakovsky.
How the Jack of Diamonds (Bubnovy Valet) society broke from academic painting in 1910s Moscow, with Larionov, Goncharova, Mashkov, and Konchalovsky.
Zinaida Serebriakova turned self-portraits and peasant scenes into acts of quiet defiance, then kept painting through exile, revolution, and decades in Paris.
Russian Constructivism explained: how Tatlin, Rodchenko, Popova and Lissitzky turned art into engineering for Soviet society, from 1915 to Stalin’s ban.